How
is age represented in the extract?
Refer
to:
Camera
Work
Mise-en-scene
Sound
Editing
In 1904, Stanley Hall argued that young people are “emotional”,
“depressed” and “criminal”. The media language in the extract supports
Halls Theory in a number of ways, but also at times disrupts this and moves
more towards the arguments concerning mixed metaphors of “Youth as trouble and youth as
fun” that Hedbridge (1988) and Osgerby (1998) put forward concerning the
media and stereotypes.
The extract starts with fast moving visually
interesting montage of
short clips that reveal the modern day setting and the characters. The whole montage is linked together using a sound bridge of up-beat non-diegetic music. The non-diegetic music acts as a mixed metaphor when
read alongside the images because the shots shows the characters as being
trouble/rebellious while the sound makes the whole thing sound ‘fun’. This connotes that the extract links and supports
Hedbridge/Osgerby’s idea of youth as mixed metaphor.
In terms of the images themselves, there are a
number of shots that tell the viewer a lot about the youth representation.
First, there was a medium
close-up shot of a teenager smoking; this supports Hedbridges theory that youth are trouble
makers and connotes that teenagers are rebellious. There was also a close-up shot of a girl
that was not dressed very conservatively, connoting that she is also rebellious. Another
shot showed teenagers kissing which links with Stanley Hall’s theory that teenagers are addicted to sex.
A close up shot of
teenagers smiling and a medium ariel shot of them on a trampoline links with Hedbridge and Osgerby’s theory that youth is
fun. An extreme
close up of a girl crying and another one of a girl wearing dark make-up
supports Halls theory
that teenagers are emotional and depressed, which connotes that they are
emotionally unstable.
After the opening montage, the next shot is extreme close up (birds eye
view) of the main character. It zooms back to a high angle shot revealing an interesting mise-en-scene choice – the
duvet that has a naked man and woman on it. The high angle connotes the audience should
look down on the young male while the mise-en-scene choice connotes that
teenagers are addicted to sex and are rebellious, linking to Hall’s theory
because he says that if youth does not have excitement in a moral form, “it is more prone to be sought in sex or drink”. During this, there is an
ambient sound of birds, which connotes that this scene starts in the morning.
Next, the diegetic sound of Tony’s alarm plays – this goes against Halls theory
that teenagers are lazy and depressed as he was awake before his alarm sounded.
During the next part, there is a diegetic sound
of R&B / Hip-Hop music that plays while Tony exercises. The genre of music
is associated with crime, youth and rebelling which supports Halls theory that
criminal activity increases between the ages of 12 & 24. The lyrics to the
song also link with Halls theory that teenagers are sex addicted and also with
the fact the Tony is exercising and working out to make himself look more
attractive. Throughout this part, the camera movement allows the viewer to see
around Tony’s room: it is tidy, and his clothes are folded neatly which shows
he might not be a stereotypical teenager, so it goes against Halls theory that
teenagers are criminals and depressed as that would connote that they do not
care for their homes or belongings.
The next shot is parallel
editing and starts with a tracking shot revealing a young teenage girl. In terms
of mise-en-scene, she is dressed in a short skirt, stockings, a low-cut crop
top that is revealing and has dark messy make up; this links with Hall’s theory
that teenagers are emotional and depressed, which connotes
that they are emotionally unstable. It then goes to 1-2 shots
between the neighbour and Tony. When the shot shows Tony’s point of view from
his window towards the female, middle-aged neighbour that is naked, there is a
hand-held camera movement, which connotes that he is excited – this links with
Halls theory that teenagers find excitement in sex. The adult that he is
staring at knows he is looking at her and encourages it - this goes again Halls
theory that that it only teenagers that go through this stage of upheaval, “before establishing a more stable equilibrium at adulthood.” During this, the R&B / Hip-Hop music still plays
with lyrics that link with Halls theory.
After this, there is more
parallel editing between Tony and his sister, Effy. A high angle shot of Effy
showing hand movements that show that she wants to be let in connotes that the
audience should look down on her. It then goes to a medium shot of Tony turning
up his music of a heavy metal genre to max, which gets his dads attention. When
his dad enters, there is a medium shot of him shouting at Tony: “Tony! Turn it
down!”, and calls Tony things like “Twat”. This links with Richard Butsch (1992) theory as he says working class
males in the media are presented as; "Incompetent and ineffectual,
often a buffoon, well-intentioned but dumb.”
During the time that Tony’s
Dad is shouting at him, his sister lets herself into the house and up the
stairs. As she comes up the stairs, there is a Hitchcock zoom, which connotes
the state that she is in and the fact that she had been out all night. While
this happens, their dad shouts at Tony: “Every fucking morning!” - this
suggests that Effy is out most nights and Tony has to let her in using this
method often, connoting that she is rebellious and in trouble often. When she
gets into her room, the lighting is dark – this connotes trouble which links to
Hedbridge’s theory. In terms of mise-en-scene, there are pillows used under
Effy’s duvet to make out that she is in bed. She then gets changed into her
school uniform quickly and takes off her make up from the night before – this
shows that she is rebellious as she has been out all night without her parents
knowing and links to Halls theory that “‘all’
young people go through some degree of emotional and behavioral upheaval”.
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